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Convocation 2010
- Student group, SMU Muay Thai, performaning at Singapore Management University's eleventh convocation. Convocation 2010 was held at Resorts World Convention Centre on 11 August 2010.
Convocation 2010
- Symbolic handover of leadership to incoming president. Left to right: Chairman Ho Kwon Ping, President-designate Arnoud De Meyer, Pro-Chancellor J Y Pillay and President Howard Hunter at Singapore Management University's eleventh convocation. Professor De Meyer officially takes office on 1 September 2010. Convocation 2010 was held at Resorts World Convention Centre on 11 August 2010.
Convocation 2003
- Students and their parents and guests arriving at Singapore Management University's Convocation 2003. The event was held at Suntec City Convention Centre on 16 August 2003.
Convocation 2003
- Convocation 2003, left to right, Dean Pang Yang Hoong, Dean Roberto Mariano, President Ronald Frank, Chancellor Richard Hu, Minister for Home Affairs Wong Kan Seng, Chairman Ho Kwon Ping and Provost Tan Chin Tiong. The event was held at Suntec City Convention Centre on 16 August 2003.
At the Signing Ceremony for iBuildSG LEAD Programmes 2019
- Professor Lily Kong, SMU President; Mr Hugh Lim, BCA CEO and Prof Pey Kin Leong, Associate Provost, SUTD at the Signing Ceremony for iBuildSG LEAD Programmes 2019. The ceremony was witnessed by (Back row L-R) Mr Cheng Hsing Yao, representing Construction Industry Joint Committee; Mr Zainal Sapari, representing National Trade Union Congress; Mr Lee Fook Sun, BCA Chairman and Ms Chelvin Loh, representing SkillsFuture Singapore.
SMU hosted the CNA Perspectives Season 7 episode 4
- SMU hosted the CNA Perspectives Season 7 episode 4 “Cashless Society: What is the true cost?" which featured an esteemed panel of thought leaders including SMU Professor Robert Kauffman, David Fernandez, Chief Asia-Pacific Economist, Barclays, Zhang Dayong, Head of Southeast Asia, Alipay, Brad Jones, Chief Executive Officer, Wave Money, and Moderator Mr Teymoor Nabili.
A verbal account of the Wee Kim Wee Room
- This edited video is restricted to SMU internal circulation. Commemorating its 20th anniversary, the Wee Kim Wee Centre (WKWC) unveiled the new Wee Kim Wee Room at Singapore Management University (SMU), which houses some of the original belongings of former President Wee Kim Wee and Mrs Wee, and formally launching the Wee Kim Wee Heritage Fund. The WKWC, housed in SMU’s College of Integrative Studies, aims to advance learning and dialogue about major cross-cultural issues. The video presents a verbal account of the Wee Kim Wee Room as told by Wee Eng Hwa and Wee Hong Neo, daughters of the former President & First Lady.
Convocation 2010
- President-designate Arnoud De Meyer addressing the crowd at Singapore Management University's eleventh convocation. Professor De Meyer officially takes office on 1 September 2010. Convocation 2010 was held at Resorts World Convention Centre on 11 August 2010.
The Ice Cream Uncle : a zine on display in the 25x25 exhibition at SMU de Suantio Gallery during the 2025 Arts Fest
- This is a pdf capture of the zine created by Amber Choh for the 2025 Arts Fest 25x25 exhibition which contains a poetry inspired by Soe Niang's arkwork "Dance" (2011). "I was inspired by Soe Naing’s dancing colours, which came alive with vibrant pinks, yellows, and expressive brushstrokes. I was drawn to how colour has the power to carry emotion and memory. His work reminded me of the pastel swirls of ice cream on rainbow bread from my childhood. In response, I wrote a poem based on a small but meaningful ritual: queuing outside the school gates every day, rain or shine, to buy ice cream from the uncle. It was a simple act that became a lasting memory—sweet, fleeting, and quietly profound. This work reflects my longing for that time and the comfort of routine. Like Soe Naing’s colours, the memory moves, softens, melts, but ultimately remains vivid. I know that the ice cream uncle is no longer there, and I am no longer the child I was. But in reimagining those colours through recollection, I return briefly to that sunny corner of my past. This poem carries a quiet hope: that even as we grow and change, some memories stay warm and bright enough to revisit." - Amber Choh, Year 3, Lee Kong Chian School of Business
The Turmoil : a zine on display in the 25x25 exhibition at SMU de Suantio Gallery during the 2025 Arts Fest
- This is a pdf capture of the zine created by Cecilia Lee Jia Yi for the 2025 Arts Fest 25x25 exhibition which contains a poetry inspired by Dang Xuan Hoa's untitled self-portrait (2007). "I’ve always struggled with anxious attachment, where love feels like both sanctuary and threat. the turmoil traces that emotional cycle: fixation, emotional hypervigilance, and the spirals that follow when affection feels uncertain or unreciprocated. When I first encountered Dang Xuan Hoa’s self-portrait, I was struck by the silent unrest. The jagged lines and bruised palette mirrored the feeling of being trapped in one’s own mind, the internal noise of someone trying to hold themselves together. It raised the questions that shaped this piece: What does inner conflict look like? Does healing ever arrive, or does the turmoil simply take on new shapes? I used breath-like spacing, short lines, and recurring stanzas to evoke emotional claustrophobia, mirroring the looping nature of anxiety and grief. Additionally, the refrain, “before the healing always comes the turmoil”, begins with certainty but unravels into doubt: “but what if the turmoil never ends?” This captures the contradiction of healing, the constant sway between hope and despair, and mirrors how anxious thoughts loop, escalate, and contradict themselves, distorting clarity. Perhaps time doesn’t heal. It just teaches you to live with the bruise, without flinching, without letting it hollow you out." - Cecilia Lee Jia Yi, Year 3, Lee Kong Chian School of Business
Introducing "Commission", a celebration of commissioning orchestral works
- In this video, Mr Quek Ling Kiong, Artistic Director of the SMU Chinese Orchestra (SMUCO), and Ms Yong Ghek Yee, a third-year student from the School of Accountancy, introduce "Commission", a featured concert in the 2025 Arts Festival held at SOTA Concert Hall. SMUCO continues its tradition of supporting local talent by commissioning new orchestral compositions. To celebrate SMU25 and SG60, this concert commissioned works from past years alongside multicultural pieces celebrating Singapore’s rich diversity. The programme includes three world premieres of original commissions, a multicultural music segment and performances by guest musicians --including artists from Singapore’s Purple Symphony, and the use of unique instruments from Asian countries where SMU has her overseas centres. This highlights SMU’s commitment to inclusion and cultural exchange.
A curated display of zines created by students featured in the 25x25 exhibition during the 2025 Arts Festival
- As part of the 25x25 exhibition at SMU's de Suantio Gallery for the 2025 Arts Fest, a segment featured zines crafted by students in response to their interpretations of artworks from the SMU Art Collection. These zines—comprising poems, photographs, and visual compositions—express each student's unique approach and perspective on the themes and subjects explored in the original pieces.
A capivated audience in the orchestral production COMMISSIONS
- The SMU Chinese Orchestra (SMUCO) performed to a captivated audience at COMMISSIONS, held in the SOTA Concert Hall. In celebration of SMU25 and SG60, the concert showcased commissioned works from past years alongside multicultural pieces that highlighted Singapore’s rich diversity. The programme featured three world premieres composed specially for the dual milestone, a multicultural music segment, and performances by guest musicians — including artists from Singapore’s Purple Symphony. The hall buzzed with anticipation as attendees gathered to celebrate a landmark event and SMU’s tradition of nurturing original orchestral works. Their warm reception and enthusiastic applause throughout the evening reflected strong community support for both the university’s artistic endeavours and its commitment to showcasing multicultural and inclusive performances.
Commencement 2010 with faculty on the stage
- Singapore Management University's seventh commencement ceremony was held at Resorts World Convention Centre on 21 July 2010. View of faculty on the stage.
Commencement 2006
- Singapore Management University's faculty at the university's third commencement ceremony. Front row, left to right: President Howard Hunter, Chancellor Richard Hu, CEO of Temasek Holdings Ho Ching, Chairman Ho Kwon Ping, Provost Tan Chin Tiong, Dean Roberto Mariano; Dean Steven Miller and Dean Annie Koh. The event was held at Suntec City Convention Centre on 7 July 2006.
Commencement 2006
- Graduates at Singapore Management University's third commencement ceremony. The event was held at Suntec City Convention Centre on 7 July 2006.
Commencement 2009
- Salutatorian Tong Junjie addressing the crowd at Singapore Management University's sixth commencement ceremony. He graduates summa cum laude with a bachelor's degree in accountancy and a bachelor's degree in economics. The event was held at Suntec City Convention Centre on 11 July 2009.
Students singing in the SMU Hall on the openining ceremony of Commencement 2017
- Students singing in the SMU Hall on the openining ceremony of Commencement 2017.
SMU Chinese Orchestra premieres a new composition Moonbound in collaboration with the Purple Symphony
- In the COMMISSIONS concert held at the SOTA Concert Hall, the SMU Chinese Orchestra premiered Moonbound, a new work by local composer Mr Sulwyn Lok, conducted by Mr Wilson Neo. The concert reaffirmed SMU’s long-standing tradition of commissioning local works, a rare initiative for a non-conservatory university. The premiere performance features eight guest musicians from The Purple Symphony, each with different disabilities and each taking on lead and solo roles. Their roles embody the values of inclusion, contribution, and strength through collaboration. This mirrors SMU’s belief in creating space for every voice to be heard and every talent to shine. In its spirit and structure, Moonbound becomes more than a composition; it is a living metaphor for SMU’s enduring values and future-facing vision. Moonbound takes on special resonance within the broader theme of “Celebrating Meaningful Impact – 25 Years and Beyond.” Just as the university has grown through bold vision, care for community, and a commitment to inclusion, the piece reflects a journey shaped by purpose and transformation. It invites the audience to reflect on how far SMU has come, and how it continues to progress— with grace, courage, and the shared aspiration to create meaningful impact. Looking skyward, Moonbound honors the past, embraces the present, and leaps into the future guided by grace, courage and care. About the composition : "Moonbound (Bēn Yuè, meaning “to fly towards the moon”) is a contemporary homage to the classic Chinese pipa suite The Moon Rises High (Yuè ér Gāo), reimagining its luminous heritage for a new generation. Taking its title from the legend of Chang’e, the moon goddess who ascended to the heavens, the piece reflects the enduring human desire to reach beyond the known, and to find beauty in the journey. Structured in three parts, the work begins with urgency and momentum — a rhythmic pulse that evokes not just youthful ambition, but the heartbeat of someone stepping into the unknown for the greater good. Like Chang’e, whose ascent was both a personal sacrifice and a quiet act of courage, this opening captures the spirit of transformation — a leap towards light shaped by love and purpose. The central section offers a moment of repose, drawing inspiration from The Grace of the Moon Goddess (Sù’é Yǐnǐ) — a delicate movement from the original suite that portrays quiet strength, inner clarity, and the gentle power of care. The final return brings back the energy of the opening, now transformed — brighter, more assured — as if guided by moonlight itself. In this reimagined flight, we are reminded that heroism does not always wear a crown — it can be found in every steady step forward, in every hand extended to others, and in the shared light of a community moving as one."
Food village vendors offering diverse food bites behind their colourful booths
- From 22 August to 28 September 2025, SMU transformed its campus and the Bras Basah precinct into a vibrant stage for youth expression, original works, and community connection. Themed “2560”, celebrating SMU’s 25th anniversary and Singapore’s 60th birthday, the six-week Arts Festival was the university’s most ambitious edition yet, uniting students, alumni, and collaborators in five flagship productions and campus-wide activations. On 29 & 30 August and 5 & 6 September, Campus Green came alive as Live, Laugh, Lor drew in thousands as part of the Singapore Night Festival. The event wasn’t just about performances, it was a celebration of community. A buzzing food village drew festivalgoers, while Singlish-inspired games created a lively, carnival-like atmosphere. Featured in the photo are vendors offering a variety of food bites—including beef cubes, crispy crepes, corndogs, loaded potatoes, pastas, sushi tacos, and Thai snacks—bringing diverse flavours to the community.
Engaging with artworks by student artists in 25x25 Exhibition at 2025 Arts Festival
- Visitors viewing the artwork of three student artists in the 25x25 Exhibition at SMU de Suantio Gallery. Displayed on the left is "Time of Our Life", a series of photo prints on foam board by Ashlyn Seow. It was inspired by Grayson Perry’s "The Annunciation of the Virgin Deal" (2012), gifted to SMU by Dato’ Kho Hui Meng in 2023. Shown in the centre is an acrylic on canvas piece titled "Sa Gitna ng Gulo (In the Midst of Chaos)" by Rey Pastores, reflecting his response to Dawei Lay's Survival (2013), a gift from Ian Holliday in 2023. On the right are a set of photo prints titled "Signboards" by Celeste Wong. Her inspiration came from Chua Ek Kay's "Under Clear Skies (Seah Street)" (1992), a gift from the artist himself in 2006.
Student ambassadors engaging with guests at the opening of Arts Festival
- Student ambassadors shared a light‑hearted moment with guests (from right) Mr Piyush Gupta, Chairman of SMU, and Mr Lim Boon Wee, SMU Senior Vice President (Administration), at the opening of the SMU Arts Festival in August 2025.
Student ambassadors engaging with guests at the opening of Arts Festival
- Members of the SMU Student Ambassadorial Corps engaged and accompanied distinguished guests at the opening night of the SMU Arts Festival in August 2025. (From left) Ms Chloe Moh Hui Wen; Prof Tan Eng Chye, NUS President; Ms Chang Hwee Nee, Chief Executive Officer, National Heritage Board; Ms Lee Chaehyun; Mr Heng Swee Keat, former Deputy Prime Minister; and Ms Ng Praise Gigatt.
Groundbreaking for the Evans Road Building
- Left to right: Director of Facilities Management Ho Thim Seng, Deputy President Tan Teck Meng and Associate Professor Michael Gan at the Evans Road building groundbreaking ceremony on 12 January 2000. Singapore Management University operated out of the Evans Road building for the first academic year.
Reflections Talent Show
- Saw Cheng Lim, Lecturer-in-Law, directing the choir at Singapore Management University's end-of-year festivities at the Tanglin Community Club in December 2000. The choir is made up of students from the pioneer class and staff and faculty, including HR Director Amy Tan, Director of Career Services Ruth Chiang, Administrative Executive Lim Lih Yeng, Lecturer of Finance Tan Eng Joo, Assistant Professor of Law Lee Pey Woan, Jason Chiam Chiah Sern, and Deputy Dean of Business Low Kee Yang.